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Showing posts with label 1990's. Show all posts
Showing posts with label 1990's. Show all posts

8/11/11

the Resonars

Lunar Kit LP 2002
On Matt Rendon’s releases as The Resonars he goes to the trouble to present the Resonars as a band with four real members who share the instrumentation and four part vocal harmonies, but everything is performed by Matt. It wasn’t always that way. They functioned as a real band that played live shows in the early years, but Matt, like all great musicians, probably came to the conclusion that he could get more done quicker by doing it himself. Plus it’s probably impossible to find good players that have as deep an understanding and love of 60s psych rock and pop music as he does. Sure you can find guys that wanna cover Hendrix and the Beatles at any shitty bar in any town, but Matt’s dipping into a much deeper well of 60s rock for inspiration. He can reproduce it so original and authentic sounding that when Dirty Steve, who also has a great knowledge of 60s music, first heard this album he thought it was some obscure gem from the 60s that flew under his radar. He has recorded a lot of my bands and the man can work studio magic with 60s technology. Title track refers to Keith Moon’s drum kit, the same model and set up that was used to record this record. He’s recorded at least two other full lengths since this record, all worth hunting down.

Marty Dog Kubiak

acoustic demo cass. 1997
Ugstad played drums in Hobart, but the real creative force behind that project was Marty Dog. He would be an immense creative force on me during those eight years and by proxy everybody I’ve played with since. After Hobart had been together for a while Marty started to play some solo acoustic shows, usually with DJ Buttafly, opening for Waffle Butt at the Airport Lounge. Those shows were always great, but listening to this in retrospect Marty Dog’s mellow, somber songs seem like a strange contrast to Waffle Butt’s ass shaking party funk. Nevertheless these songs are great. Marty used two boom boxes that had recording capabilities to make a two track recording. The latencies and the way the melodies are layered give it a haunted feeling. These songs are very heartfelt and really sad in the most genuine way, because they were recorded during really tough times for Marty Dog. Two of these were Hobart songs, two were originals and one was an Evergreen cover. I think this release was limited to about fifteen copies.